Sparrowhawk (Accipiter bicolor)

by Frances Wang ’12

Your charisma precedes you, even in death—
grey feather webs of your wing still raised, a passing greeting to
the distant sky and the flies.
But your legs jut distressingly, like fishing hooks
twisted under tangled crosscurrent waves,
Coriolus of questionable intent and ambition.

Was it misunderstanding that dropped you on dirt packed flat?
Did you choose to leave the artifice of altitude? Plummeting
until the sinews holding together the words of your wings could not lift you above
the violent logic of flight.
Was gravity too much for your bones, shards?

Thin air, frictionless against remiges. You slipped
between the molecules in the high clouds.

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Poems from Clockwork by Mary Rockwell

from the English Honor’s Thesis, Clockwork, by Mary Rockwell ’11

 

MAPPED

As soon as Spring gave in, the air conditioning
was busted. So we rolled down the windows
of my ‘85 Mercedes—blew steam instead.

In Burlington summer launches without proof,
given the loss of watches, the freedom of a route
that leads straight out of town, directions

scrawled on a paper napkin on my lap.
Why plan anything when given such a nice list
of what to expect, how to expect where to go.

When your purpose is to be purposeless
you can expect Monday to be as free as Sunday,
certainly can expect moments to be as free

as soft‐serve ice cream, bought from the convenience
store for nothing but the price of my own name,
which the owner already knows by heart.

Everyone always seems to know things
I do not tell them, but surely gossip is not gossip
if it’s true: people only talk about what they want

to believe about the people who always leave.
My heart turns over those days too many times,
plays them like board games against my logical mind,

pays too much mind to another time, the past—
the type of light touch that lingers in a rush.
Nothing ever does stay long enough.

We never wanted to feel young then,

never think we are that young now.

—–

 

 

 

—–

NOMADS

Catching slimy snails in red plastic pails,
my brothers and sisters and I spent summers
on the far edge of Kennebunk beach.

We searched beneath the smooth underbellies
of salty rocks, scoured the shallow water, spinning
in tidal pools, much warmer than the ocean.

The busiest intersections and lanes revealed
where the crustaceans had traveled—I imagined
stuck in traffic on their routes to work, or visiting friends

who stayed in different neighborhoods down shore.
We stayed until the beach emptied, our pails full.
Never worried that there might be nothing

left in Maine one day. Nothing for us to find.
We carry our home, carry it on our backs.

—–

 

 

 

—–

VISITORS

When my sister takes my hand, I follow
along the curb of the littered sidewalk, jump
whenever the concrete breaks for pavement.

We dodge the shifting shadows of curious customers
who crash into crowded shops. Why would we go inside
when we trust shopkeepers must keep their custom

of selling porcelain ashtrays shaped like California,
plastic snow globes that storm winter weather
over the same sun‐soaked Bay we visited yesterday.

Chinatown is always Chinatown, no matter what
town we have found ourselves in. No matter how many
years and miles have worked their way between us.

This time, only we seem different—
tourists of our own home, the new home,
a home made apart from any familiar place.

To cross the sidewalk, we leap from stripe to stripe.
Children again, with no place to go.

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Something Borrowed

by Tyler Bradford ’14

Alice keeps the lyrics locked in a box under the bed
Hidden from view.
On their first night together,
He changed the shape of her flesh:
A love out of lust.
Then, face went pale: he mishandled the secret.
Alice feels small against the night
Torn photographs taped on the wall
A cigarette next to the bed.
Alice has never been to this world,
But now she knows it exists,
The others are cynics.
Exposed, the world rushes in:
Lights, sounds, and smoke.
But Alice does not know this is a borrowed world,
And now he wants it back.
So Alice must return to her old world,
If she can find it.

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Clearing

by Mitchell Jacobs ’14

With woven veins
our teacher walked through the woods
and showed us nests and knots in maple trees
until the end of her life—
she lay down and died

in a clearing.
Four dirt paths there open
into a diamond of smooth-leaved clover
bordered by interlocked
ferns reaching.

My brother left
our highland house and yard,
moved to the city and up and up
the corporate ranks—
retired to the most

spacious flat in town.
A composer said once
that his favorite note was the rest
because in its duration
you could recall

all the others.
Together we roam across each other,
the curves and crevices which slip
always toward an emptiness.
After enlightenment

the Buddha slept.
When they have hewn a lifetime
of sandstone in the crazing canyon wall,
the rapids return softly
to the magnetism of the sea.

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from the English Honor’s Thesis, Stereoscopy, by Sophie Novack ’11

 

A look inside

your brain: a railway.
Tunnels twisting,
freight cars slow around
the bends, cargo too heavy
for your trains to carry.
Signals lost between stations,
tracks weakened, cars veering off course
with the weight of information.
Too much traffic.
What I say to you I know
will never reach its final destination
—my words will crash
into the skeletons of trains
that line and block the tunnels, words trapped
and suffocated in the debris of lost cargo.
Tomorrow you won’t recover
what I said or even who I am.
I think how you used to make believe
your mother’s mind ran more smoothly,
how my mother tries now
to push messages through yours
—it seems all our tracks must cross eventually.
I wait for your broken ones
to derail me.

—–

 

 

 

—–

yo-yo

you balance me

too close to leave

too far to stay

not enough to wind me up

not enough to unravel me

each time I want to go

you work your tricks

pull me back

keep me

hanging

go ahead and break me

so I can be done with you

—–

 

 

 

—–

Ghost

Your absence leaves
an imprint of you, the same
in shape and sentiment,
altered though in reality.
Around me your specter looms,
a better version of you.
He leaves me to long
for you in flesh, to want
your body next to mine,
to wish I desired you
when you were here,
fought harder to keep you.
He tricks me—possessing
only the best of you,
erasing moments
that make me want to forget you,
blurring your details, making me
resurrect you in my life again.
You haunt me.
What pain can do
to memory, changing you
into something I’d be foolish to lose.
How loss can make a person
so appealing.

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Bear Trap

by Scott McKnight ’11

I am a bear trap
snapped shut
and empty. For a year,
I have held my tongue
in my steel mouth, glinting
with missed opportunity.
Tense and fanatical,
I dream of that bear and
grind my teeth in my sleep.
Pry me open, hunter,
or God, or
better yet –
break my jaw,
clapped shut this foggy year
in the midnight ivy. Or,
move me to a spot of shade
less lonely than this.
There must be another trap
on this bright lightning mountain
for me to snap to
in toothy embrace – a
forever’s kiss in the ivy,
to hold till our springs wear out
and the winds bury us.

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lost and found

by Scott McKnight ’11

I lost my silver watch in the brackish water
that slowswirls in the inlet of your sea.
I plunged my hesitant hands into the dark,
cold silt for half an hour, my hands clawing
in the muck like a pair of crabs.  For a moment,
a fox appeared on the hill behind me, perched,
and I felt ashamed — a greedy ape in the mud.

But have you seen the fires in Texas?
My cows were a kind of kindling for the roar
of the black, acrid smoke that hung thick
over the lowing pasture — their silver
bells lost in a swirl of inky billows.
There are no foxes there. They abandoned dreams
of watches and cattle long before America
and keep their silver in their tail plumes that rise,
swirling, lost in the foggy hillsides.

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from the English Honor’s Thesis, The New Ascetic, by Jessica Stein ’11

Like Mole and Mr. Toad

1
When I emerge from my hole in the woods,
I feel a bit like Mole meeting Mr. Toad
for the first time, his gleaming, reckless
unapologetic physicality
swatting Mole
square in his dusty nose—
confident in the struggling current,
Toad’s careless grin tossed to Mole like a hot potato.
Mole and I wish to be just as buoyant,
while instead I shriek about
our only pastime: “Cleaning house!
Cleaning house!” or else peep “oh
dear” and falter into the river.

2
Everyone is telling you
you look nice today,
but you don’t.
You are pale and paranoid,
at large in your gray matter,
overworried and adding to-dos,
having lost at least an hour somewhere
on the clock: who knows
when you pull yourself out
again where you will be,
at lunch or in a conversation
you don’t remember getting to—
only snow melting in your eyes
recalls your struggle against the wind
and what you might have said in defense:
“I should be hibernating, time isn’t right
in the winter.”

3
Oh to be Toad
blind calm in the crowded streets,
no panicked dogma at the recognition of a face,
overexcited and tripping over
hellos
into the water
like a shocked noodle.

—–

 

 

 

—–

An intricate joy

Everything is built from little pieces,
from littler pieces, from pieces
of varying size
that tangle like yarn
in Elmer’s glue.

A year is stacked
in months, blocked in
days, dark with hours—
weeks wiring through
the frame, uneven,
shifting, shuttling
deadlines and celebrations
down its chute.

A novel has swollen channels
of chapters, feeding off
wet plains of paragraphs,
and swift tributaries
of sentences, which draw
from ponds and pools of words,
to whisk lettered leaves
in a river to the brain.

A seed is a bomb
of biology.
A threatening cloud
of an organism.
Huddled coils clench
each other with
contained explosion.
Between their linked hands,
acidic instructions
roil outward
impatiently.

The metaphor fits
every compound from
the sum of the universe
to its subatomic components.
How loving is growth!
To build each possibility
with infinite care,
to let infinity assemble itself
without condition,
to bear us infinitely forth.

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Those Dogs

by Cassandra Hartt ’14

Inspired by Nick Hornby and Ben Folds’ “Your Dogs”

With a house that looks like this, at that price, we knew there had to be a catch.

It’s 2:31 AM and this is it.

Those dogs.  Barking in Next Door’s backyard.  At the moon, the dark, each other.  Barking for the fun of it.  Barking for barking’s sake.  Reveling in their deep Pitbull voices, talking to hear themselves talk, scaring my children and Mrs. Number Four’s Pekingese (she says it wedges itself under the armchair).  The sound makes my wife, beside me, grapple with the sheets until she’s awake.  She tries the surround sound pillow trick, which won’t work—it never does.  Finally she groans and swears and gives up.

It’s been three months, but we’ve still got boxes to unpack.  A lot of them, full of photo albums and all our dining ware.  Let’s just say, the paper plates have worn out their welcome.

She’s made me a honey-do list about fifty bullet points long.  Take care of the white birch, crooked and bent over as Mr. Number Fifteen, that looms over our patio table set.  Paint the family room a color, any color but the current hue.  The realtor called it “Guava Jam” and tried to use it as a selling point.

Those dogs were not a selling point.  Those dogs were not mentioned.

Anyone will tell you, Next Door is bad news.  A hooligan.  Trouble.  Mrs. Number Four says he’s 24 years old, and already a dad twice.  Maybe and maybe not with the same woman.

Maybe child support is why he just looked at me when I asked if he wants to chip in when I call Ferretti’s Tree Surgery to take care of the birch, so they can cut down the big dead branch on one of his own trees.  Otherwise someday it will snap and fall, maybe on one of those dogs or maybe through his roof.

Nobody can say I didn’t warn him.

Those dogs.  Barking as dark as the rocks I picture rumbling in the tumbler inside my head.  Rocks bleeding out my ears, polished and colored, the kind my son likes to spend too much of my money on when we go to science museums.

Probably those dogs are an anomaly of science.  They shouldn’t be able to bark so long, so loud.  When they’re good and dead they’ll be studied.  Some Sunday in the future, and hopefully not the too distant future, I’ll drink my coffee and read in the paper about the mutant Pitbulls that terrorized Fairway Drive.

“Five hours of sleep.  Is that too much to ask?” says my wife.  In the dark she is elbows and knees, frazzled hair and palms pressed against her eyelids.

She wishes we didn’t move; more of a constant emotional state than a thought.  My kids are young enough that they can make new friends anywhere, but my wife left behind her two brothers and her parents and her Bible study group and her favorite hair stylist and her yoga class Fridays at six.  She says you can’t replace those things, but she just doesn’t want to.

I guess it’s that Binghamton is just far enough away from Worcester—a little over four hours, if it’s not the Sunday afternoon of a long weekend—that spontaneity is not an option.  But it feels like it should be.  Still, I think Bighamton probably has sun salutations and churches, too.

“I could call over there.”  I hope the way I say it makes it clear that I won’t.

“Please.  I doubt he owns a phone.”

My own eyes are tight and crusted at the corners.  “I could call the police.”

She doesn’t say, “We’ve tried that,” but we have.  The thing about the young, anti-establishment types is they frankly don’t care.  Since he’s not starving or beating those dogs, there wasn’t much they could do about it after he said “Okay.”  And he put them inside and said, “Better?”

We lip-read these lines from the bay window in our eat-in kitchen.  The next night, guess which trio came barreling out of the slid-open screen backdoor?  Here’s a hint: they like to bark.

Plus calling made me feel old.  It’s something my parents would do.

Turning away from me, my wife mutters to her nightstand, “There’s a quicker solution, if you’d just man up and do it.”

That isn’t fair, even if she’s just saying.  It’s hardly a question of manhood.  More a question of another man’s property and whether or not is should be respected.  It should.  Like how Next Door shouldn’t repurpose the balls my kids lose over the fence as doggie chew toys.

I guess my relationship with Next Door started off on something like the wrong foot: we both happened to be in our backyards at the same time.  I waved.  He didn’t.

My new neighbors fell all over themselves to try and prove their sympathy for my home’s unfortunate location.  Their complaints could be aimed at any young person anywhere: he listens to loud music, throws parties, smokes and drinks.  If he’s employed, they say, it’s only as a drug dealer.  The only words Ms. Number Eighteen has for him are “white” and “trash”.

This explains some but not all of it.

Those dogs are nocturnal and think everyone else should be too.  Most days they lie in the yard, brown and baking in the sun like their own turds, exhausted and probably hoarse from the previous night’s exertions.  Except for the one time the back gate was left open and they got out.  It was trash day.  Think banana peels and cantaloupe rinds.  Corrugated cardboard and the Sunday funnies.  Used q-tips and soda bottles all with the smallest sip left inside, just enough to drain on my shoe when I picked them up and sorted them back into the blue recycling bin.

I make those cans.  At least, I supervise the people who make those cans.  They’re aluminum, not tin, for the record.  As supervisor, I listen to the Union’s complaints and make sure we’re hitting quotas, and then people getting their thumbs caught, jammed metal sandwich.  Gone like the Industrial Era.  This accident happened two and a half weeks ago.  This was somehow my fault.

It’s not Next Door’s fault, though.  The thumb or the garbage.  But all he’s got to do is put those dogs inside.  Just let them in, is that really so much to ask?

My wife turns on the lamp and after the brief initial ache of light, our skin and the sheets and the walls glow yellow.  She’s giving me a look, out of the corner of her eye but a look all the same.

“What?” I say.

“Nothing.”

“No, what?”

“Well, what else is the gun for?”

I know she doesn’t mean what she’s said, but what I don’t know is about this feeling in my stomach: is it because she’s not supposed to say this, or because she’s not supposed to have to say this?

This taunt is her favorite way to accuse me of the trite without coming out and saying it.  I didn’t help with the dishes after dinner.  I said I think it’s important for the kids to have somebody at home when they get off the school-bus, so maybe she should not work in the afternoons.  I brought her to godforsaken Binghamton.

Tell me, who the hell wants to live in Worcester his whole life anyway?

“That’s for…burglars.  If criminals broke into our house—”

“How are you going to protect us against fugitives if you can’t make a couple dogs shut up?”

I said criminals, not fugitives.  And there are three dogs, which is a few, not a couple.

“You’re the one who wanted to move here,” she continues.

Here we go.  I could say that I didn’t so much want to relocate as I wouldn’t have a job if we didn’t.  I couldn’t say that, despite the move, there’s a good chance I’ll be out of a job by Christmas.  Downsizing.  Also, finger pointing.  I haven’t told her about the thumb incident.  But these things are true too.

“I’m not going to shoot his dogs.”

“Why not?” she jeers.

I don’t know.  I just won’t.

“Why not?” she says again.  And, “Where are you going?”

“I have to take a piss.”

Lack of sleep does things to you.  You drink too much coffee and spend the rest of the day feeling hollow.  You’re always hungry.  You repeat mistakes you already learned from long ago: Tuesday I locked my keys in my car, like I was sixteen years old again.  And things that wouldn’t normally bother you do: unskilled baggers at the grocery store who put the eggs and bread at the bottom and the tomato soup at the top, for example.  You start thinking about things that don’t matter, like missing your kid’s preschool graduation and how when you say “fork” over and over it stops being a word.

You start thinking maybe your wife’s got a point.

In life, it’s strategic to think your wife’s ideas are good ones.  The home becomes a happier place.  You get more sex.  I doubt killing dogs would lead to more sex, but it would lead to more sleep.

I mean to say, you don’t hear about many insomniacs with crazy sex lives.

This is some but not all of it.

In the bathroom, I consider beating the barking out of my skull by hitting my head against the porcelain toilet bowl. I don’t wash my hands, because I know she will hear that I don’t and hate that.

I wonder if “manning up and doing it” could save me.  As it is, I get home from work and there’s still the same number of cardboard boxes.  Mostly in the basement, to trip over when we go down to take a steak out of the freezer for dinner the next night, but also in the dining room.  She doesn’t want her parents to visit until we’re “unpacked and settled in,” but she doesn’t want to unpack everything until the family room is re-painted.

By me.

Basically, all my fault.

I don’t go back to bed right away and instead pause in front of my closet.  Consider the possibilities behind its accordion-fold doors.  Because the bark of those dogs is the belly of my car scraping every time I roll over a yellow speed bump in the elementary school parking lot.  It scrapes again when my daughter is buckled in, talking about her day at school and waving her latest papier-mâché sculpture in front of my nose.  She reprimands me in an inadvertently uncanny impression of her mother, tells me those bumps mean you’re supposed to slow down, Daddy.

But this is moving up in the world.  The cost of living is lower in Binghamton.  My job pays a little bit more.  The best of the sprawl: a suburban development.  A private road, where we all have to pay dues in order to coax a snowplow to come our way, or so I’m told.  At the last meeting, I voted yes to make the neighborhood’s speed limit fifteen miles per hour, and to add a SLOW, CHILDREN AT PLAY sign.

It’s 3:04 and I’m tired.  And this barking is rubbing me the wrong way over and over, nail file, no, cheese grater style.  Fingernail clippers in the blender.  And nails, the tool not the hand kind, in the food processor.  And silverware in the Kitchen Aid mixer, all at once.  Sounds like these, you can’t think.

Or, you can only think insofar as to make them stop.

I picture myself hot with adrenaline and putting a bullet between each Pitbull’s eyes.  Next Door sees, and I maybe threaten him with the same fate of his dogs.  He doesn’t accept the challenge, just curls his lip and scowls like a surly teenager.  I picture myself walking back home, silence pressing against my ears.

I picture myself loving it.

These are the types of thoughts you have when you’re sleep deprived.

I seem worse than I am, at night.  Really I’m a tolerant man.  Everybody ought to live how he wants.  My neighbors are narrow minded.  Etcetera.

But there are things like the way that even though it’s the peak of autumn, Next Door hans’t touched a rake.  And his leaves keep blowing into our clean yard.  And the tattoo on his neck, some tribal-looking scribble, and the piercing in his nose.  Like a booger that can’t be wiped away.

I know you can’t judge people this way.  Probably there are things Mrs. Number Four hasn’t and won’t find out, like that he had an absent father or was abandoned by his mother, shot from foster home to foster home like a pinball.

25 points every time you disappear down the trippy tunnel with the flashing lights.

50 points every time you glance off a police officer and careen in a new, exciting direction.

100 points every time one of those dogs barks.

You get 3 chances.  9 if you’re a cat.  But you’re really more of a dog person.

I mean to say, probably those dogs are all the family he has.

But can’t he be just a little bit more like someone like me?

At the same time that I’m pulling-pushing the folding closet doors open, the barking changes pitch and tempo.  Renewed fervor and vehemence.  They’ve maybe seen a raccoon.  Just a little after those dogs get excited, but before they fall back into their boast of endurance, and at the same time that I’m pulling the locked gun case across the carpet toward me, a pair of small, slippered feet race their way into our bedroom.  I turn, gun heavy with possibility in my hands.  My son has launched himself into my wife’s arms, where he is recounting the nightmare he just had, in no way improved by those alarm clock dogs.

Looking at the handgun and my fingers wrapped around it, I wonder if I could do it.

I think I could.

“What are you doing?” my wife lipsyncs to the barking, and the sight of those lips, exaggerated mimes over our son’s shoulder, and the whites of her eyes makes me plant my feet in the carpet.  Defiant.  Powerful, like I could knock down a bridge with a nudge of my elbow.  Fall a forest with the shrug of my shoulders.  Splash in the ocean like it were a puddle and watch ripples become terrifying tsunamis.

These are the types of thoughts.

She unknots his arms from around her neck, encourages him to snuggle under the covers in the warm pocket I’ve left behind on my side of the bed.  To me she says, “Put that away.”

“What’s it for, then?” I mock.

“I didn’t mean it and you know it.”  And then she says again, voice stretched taut, “You know it.”  It’s a toss up as to whether she’s more worried for me or worried that what I’m going to do will be her fault.

Because I’m going to do it.  Because I can.

“Are you nuts?” she says, forgetting to keep her voice down and our son is wide eyed too now, peeking from sheets pulled up to his chin.  “Put it back.”

You get so tired that it looks like there’s only one cause for things.  Or there could be.

Those hangnails are because you didn’t get enough vitamin C last week.

My big brother went off the deep end that winter two years ago because he was never going to make it as an artist.

Our lives could be damn near perfect if those dogs disappeared.

We could be perfect.

These are the types of things you think about.

My wife blocks a sliver of the doorway with her slight frame.  She says don’t do it.  If I don’t, she’ll do anything.  At least give it until the morning.  Don’t act on anything you haven’t examined in the daylight, you know?

This is sort of like the time we were stuck behind an asshole on our way to the lake.  An asshole who couldn’t drive.  It had been a long week at work.  At home too, but there only in the way that life is long.  I just wanted to get there, to the spiderwebbed cabin and the planks of the dock and the fresh green water.

I had been planning to leave work early, at 2:00, but one of my managers started waving around a pocket knife at 1:45.  So there we were, all packed into the sedan and it getting dark, when we were supposed to get to Camp in time to have a cookout on the charcoal grill.  The rear view mirror was useless because we had the trunk crammed full of duffel bags and a picnic basket and inflatable rafts and footwear for all weather possibilities.  And this guy thought it’d be a good idea to drive five under the speed limit down a one lane back country road.

Naturally I tailgated him for the next eleven miles.  On the twelfth he deliberately slowed down, and when I honked, flipped me off.

The part that this is sort of like is then I started gesticulating that the man ahead should pull over and we could have it out and quit playing games.

“Knock it off.  I said, stop it.  We’re not in any hurry,” my wife said.  So instead we stopped for hotdogs and fries from a roadside stand and let the guy get ahead.   Probably for the better; I’ve never been in a fight.

I have fired a gun, once.  At a deer, the one time my dad took me hunting.  Missed.  But I get the gist of it.

Now she says, just think about this for one minute.  Please?

So I think about how, after, she won’t be able to say I don’t care.  Sure I do.  I’ll have killed for her.

I maneuver around her and she resorts to things like, “They’re God’s creations too,” and, “You’re going to get out there and you’re going to embarrass yourself.”  My daughter, her sleep also disrupted by those dogs, comes to the bannister of the staircase in her nightgown.

“Daddy, what are you doing?”

And I tell her, “Stay here, Sweetheart.  I’ll be right back.”

My family follows me, a chain of clasped hands and choruses of Daddys and Please, Honeys.  We navigate the new house poorly in the dark, hips finding table edges and jutting doorknobs.  The gun is the line leader, pulls us past granite countertops and oak cabinets, the refrigerator with stainless steel doors and under our  feet cold tile.

Opening the back door lets in a flood of barking.  The air smells crisp.  At the precipice of my backyard, I hover for only a moment.  I wonder how this will look to myself in the morning, but this thought is more interesting than troublesome.

I slide the door shut, hard.  Seal myself out.  My family stands at the bay window, a pyramid of huddled grog and apprehension.  I wave.

The dew is wet on my ankles, the moon pockmarked and cold blue.  Some leaves crunch under me and disintegrate between my toes.

Through the chain link fence we eye each other.  There are three.  Their ears form stiff peaks.  Lips peel back from teeth.  I might give a snarl of my own, but I’m not sure.  Mostly, I feel my legs under me.  Muscles taut.  Me with a purpose, and an audience.  The gun is at the end of my arm, pointing and bobbing with every step.

The fence is closed but not locked, its hinges vocal but not loud.  Those dogs stand their ground, fur bristled and whiskers quivering.  I’m close enough to see that.

I’m close enough to know that this time, I won’t miss.

The loudest is also the closest.  The fur on its back is matte and bruise-colored in the dark.  Every bark sounds like paper, throats tearing.   Every bark a refusal of the unanswered “Can I sleep now?”

I steady one arm with the other.  Plant my feet in the dying grass.  Cock the gun.  My face  wrinkles, grows years older in screwed up anticipation.  But I don’t close my eyes.  I want to see everything.

One for my wife: it’s blown off its feet.  Its flesh explodes.

The second for my kids: to still the scrambling paws, quivering jowls.

And even though I know it’s good and dead, the last shot, so that its body briefly jumps with life again, is for myself.

The other dogs shudder and whine, at a loss without a ring leader.

So this is what the wind sound like in New York.

There’s the sound of maybe the last crickets before winter.

Amongst the vinyl siding and black shutters of Next Door’s house, there’s a yellow window.

He’s awake.

Panic.  A little sweat, mostly on my upper lip, the palms of my hands.  Don’t yell, I tell myself.  Don’t run away.

And isn’t this what I wanted?

Man up, I mutter under my breath.  I wonder if my wife, my children are still watching my performance.

Thirty-two years old and this is what you’ve come to.

The gun doesn’t disappear afterwards but stays heavy, hanging, an extension of my arm.  I don’t know what to do with it.  I think it won’t be satisfied to return to its case in the closet for another six years.

Right now, I’m pretty glad Next Door is not like me.

Anything but what I know I have to do next would be running away.  But it would also be a hell of a lot easier.  I turn my back on the dogs: their eyes and teeth, their accusations.  I mount the wooden stairs, hollow sounding.  I knock on the glass.  Heart clunking along, then tripping over itself to beat in time with Next Door’s footsteps.

I always forget about the greasy black hair.  Does he have running water?  A shower?

Eventually, we all become our parents.  Maybe we keep them from visiting so we can forget that, and maybe some people live down the street from their parents, just to remind themselves.

Because I’m a coward and because there’s nothing to say, no words to say it with, I gesture behind me.  With the gun, not to emphasize or anything but by mistake.

The way his eyes stay flat, only flick over to the body before returning to my face, it’s worse than I imagined.

“You killed my dog,” he says.  A statement.

So I say I’m sorry.

“Jesus,” he says.

It’s just that we haven’t slept through the night in weeks.

“Yeah?”

Well.  That’s some but not all of it.

“Fuck you,” he says, and slams the sliding door shut.

But it doesn’t sound like a door.  It sounds like a familiar heavy fall and clink.

It sounds like my wife saying, “You forgot to put the toilet seat down again.”

So I say I’m sorry.  I uproot myself from where I’m leaning against the wall, across from the closet.  My feet are cold.  I return to bed, touch my son’s hair.  He’s asleep.  I wish I were, too.

Maybe the weed killer we spray in the spring will runoff into Next Door’s yard, toxic and  silent.  Or the Rid-X will seep out of the septic tank and wind its way into those dogs’ favorite water puddle.

Maybe tomorrow morning we will both wheel our trash cans to the ends of our respective driveways at the same time.  I will nod and so will he; he’ll have his headphones on, so he might only be acknowledging the music’s beat.  But I’ll pretend otherwise.

These are the things you think about.

 

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from the English Honor’s Thesis, Litter, by Audrey Gradzewicz ’11

Litter

I will not snap their necks. The man says
it has to be done, there are too many. He says
it is easy. Just one hard crack against the counter,
and when he comes home from work,
he will burn the kittens in the barrel with the newspapers.
He tells me they are too young to feel,
but I imagine blood, the terrible hiss of air snaking
through windpipes only half-severed.
I lack the stomach, mix some milk
with some crushed pills from the bathroom cabinet.
I am as careful as a mother, and as I empty
a bottle of poison into each blind mouth,
I envision myself as the kind one,
every kitten’s death a mercy I’ve doled out.
I place their bodies in a corner
so I do not see them choke.

—–

 

The Shooting

The way the man sprawled
across too much sidewalk,
he looked like a squid
or an octopus. Just the spillover
from a bar fight, the police
told us, claiming the man was dead
even as he landed facedown
in our small yard. An isolated
incident, they said, calming
my hysterical mother as I stood
beneath the porch light counting
those impossible limbs to four,
and did not believe it.

—-


Supper

It’s clever how they kill, the bodies
decomposing in rose gardens, the teeth
removed—no dental record,
no trace. The way they target
the ones no one cares about, the ones
who are nobody’s daughter, nobody’s son.
Methods both subtle and brutal, but see
how beautiful it all is, how intricate.
It’s so easy to take a life, the neck
snapped, a vial of poison. Your smile
is deadly when you tell me this, the TV blaring
with the macabre stories you like, the bones
of your dinner cracking in your mouth.
I turn to watch the ghostly faces.

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from the English Honor’s Thesis, Something Leads Him Down, by Uyi Agho ’11

He contemplates his loss

November was long,
after his wife died. That day,
the Doctor
put on his loafers and
walked outside.
It was snowing
but he wasn’t cold
and he wanted to be cold.

Alone he is unknown as the bare branches
and unrecognized as a lover long gone,
frozen puddle-reflections startle him
as he shuffles with hands in trouser-pockets,
he does not know that man on the other side.

In stride he thinks
he resembles the sky
as the sun wanes,
a smudge dark
as it creeps toward
evening.
He drowns stars
in his solitude.

As he walks beside an old river,
he likes to imagine himself slipping through
the thin layer of silver sleet, where the surface blurs
and he sees her eyes peering through.
Where he smiles before the glass freezes over,
the corners of his lips falling with the snow.

He knows that he
will dread
the morning,
when it comes,
waking alone
with memories
and forgetfulness
settling over his mind
in a thick dust.

Tonight, he weeps at the river
that was alive last summer.
Only now is he surprised by its death,
slow water trapped beneath stiff ice.
Just now he recalls when it ran, clear and lively.

—–

 

 

 

—–

Lost

The day he gave her the journal
he found her in the bedroom
unlike her self.
She said she wanted to write
things down.

Dante,
she had called
in a voice that put him on edge,
she was curled on her side
on top of the covers,
her eyes wide,
her body unmoving.

I had the dream again
she said,
of the dogs.

The hell-hounds were here,
down by the bed.
I could hear them panting.

—–

 

 

 

—–

Returning

In Boston, it is fast,
the city people
crowd in and out
and leave you
behind clutching
belongings
and your mind.

The T speeds,
a bullet, with the fast
ones, not you,
you sit under the plastic
awn with the bloated posters
of missing children
and victims of abuse
and wait
for the next one
knowing
it is your first day
back
and you are already late.

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by Nook Harquail ’14

I admit that, in the night, I stole
Into your room, plucked a
Hair from your pillow and
Sent it —midnight airmail— to a
Lab in Tanzania. I’m sorry, but
I just had to know the sequence of
Your soul.

They say you
Can’t curl your
Tongue, but you

Can wiggle your ears;
That you hate
Apples, fancy

Goulash
Grudgingly;
That you

Can’t quite believe
That there’s life
After death.

They say: you make
A mean omelette, but
That your

Galantines
Chaud-froid
Congeal, every

Time. You’re
Good
At

T
A
G

Cause you’ve
An
Antelope’s speed (

That’s your
Argentinian blood,
Apparently.)

And you
Care so much it
Aches:

About
The starving in
Africa;

About the penguins
Global warming’s
Going to melt;

About the
Children on the
Corner selling lemonade;

About the scantily-
Clad models in
The magazines — You’ll

Always take
The penultimate
Cookie, leaving

The last for me; You’ll
Chase a stranger’s
Gecko all

Through town
To return it
To his arms.

They say evolution’s
Grown your
Third toe

A quarter
Cm longer
Than the average —

And that’s just
The first page,
There’s another

Thousand, if you
Care to take a
Gander.

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Houston

by Sophia Golvach ’11

The Bayou City never dawns-
It yawns and spits back the reflection of streetlamps
to the murky sky then relaxes into
100 degree days, hoping for
hurricanes to turn off the lights,
so to breathe damp swarms of mosquitoes
into the houses that have forgotten
the swamp.

Dispossessed palm trees quiver adrift
in human humidity, trapping stray breezes
slender harbingers–the scant shade of perpetual noon.
Automatic garage doors open,
Soon after the gaudy, violent dawn of diesel-exhaust yellows
Loosing their clients, sweat-stained already, onto I-10,
Toward the grumbling skyline.

Galveston’s dead
And the righteous dead of Bolivar
Are marching on the Astrodome,
Seeking Katrina and haggling with
Rita, though Beaumont looks on in graves’ silence:
Water-logged gypsies that “rode ‘er out” one last time—
Sitting in lawnchairs in trailers with rootbeer,
Stubbornly toeing the rising tide.

Slumbering giant,
Ungraceful city looped
round snoring storage centers and Super Targets.
Your humdrum amorphous humming
Pervading el calor lleno de cansancio;
Hymns to your great commodity ENERGY
roaring from every tail-pipe.
You are too tired to bother with me.

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